On May 14, 1954, the Supreme Court ruled in the court case Brown v. Board of Education that segregation within schools was unconstitutional according to the 14th amendment (United States Courts, n.d.).
After much discussion with all the United States Attorney Generals, it was determined by the Supreme court that school desegregation was to be administered by federal state district courts and that it was to begin immediately following the court’s ruling in the Brown v. Board of Education Topeka court case (Tomberlin 1974 ; United States Courts, n.d., under “Brown v. Board of Education (1954-1955).
In 1975, immigration in the United States was a prominent topic of political discussion. This was partially due to how “the Immigration Act of 1965…resulted in increased immigration” (Irwin 1972, 23). The media also reported the Senate’s rejection of H.R. 982 in 1973 as a failure (Hohl 1975).
When “The Central Valley Opportunity Center 1984 Annual Report” was published, nearly all farmworker families living in the Central Valley of California lived below the Federal lower-living standard (CVOC, n.d., 8). Seventy five percent of migrant farmworkers spoke little to no English and language barriers combined with their itinerant existence meant that few were educated beyond the sixth grade. CVOC’s report gives a detailed account of the actions the organization took in 1984 to support migrant farmworkers’ struggle for survival. This report is valuable for understanding the foundations and efficacy of CVOC’s current operations.
The Central Valley of California is a temperate, 450 mile stretch of well irrigated, nutrient rich soil (Norton, n.d.). The 350 different crops grown there generate a quarter of the produce consumed in the United States (Perez 2019). This massive agricultural operation attracts a broad array of migrant workers to the region and wage growth is undermined by competition for unskilled positions. CVOC is one of many community-based organizations that emerged in the 1970s to address the needs of low-income migrant farmworkers in California (Tony Silva, pers. comm.).
During the late 1960s period of the Cold War, the United States and Soviet Union began to share concerns over rising geopolitical tensions in a world ever conscious of the potential for nuclear devastation. Such concerns led to a roughly ten-year period of “détente,” where both nations sought to ease tensions through negotiations pertaining to arms control from 1969 to 1979 (Cahn 1998, 96). Though initially détente was popularly perceived as a step toward a safer and more peaceful world, a growing number of U.S. citizens condemned the program for functioning against the social and economic welfare of the nation (Zanchetta 2013). The 1974 article “What Price Détente,” found in a Congressional Record from the Arthur P. (“Skip”) Endres Papers Collection of the Center for Migration Studies, features a strong argument that sought to reveal the economic harm of the détente in order to garner support for the modification or abandonment of this foreign policy initiative.
The Extension of Remarks is part of the Congressional Record which serves as the official transcript for the House and the Senate. The Center for Migration Studies (CMS) also offers works from the Arthur P. (“Skip”) Endres Papers Collection to serve as “primary sources of how migration and refugee law is made and how that process might be improved for future generations of immigrants” (CMS 2015, 4).
World War II veterans are an ever-shrinking population. While most living veterans are well into their 90s, many of their stories have not been told. Salvatore J. Indiviglia was 99 when he passed on May 28, 2018. According to an article from the Pew Research Center, “The [Department of Veteran’s Affairs] projections show that between Sept. 30, 2019 and Sept. 30, 2020, 245 WWII veterans are expected to be lost each day” (Schaeffer 2020). Thus, it is more crucial than ever to record as many of their stories and experiences as possible before they are lost for good. However, sometimes their stories live on through the work they have done throughout their lives. I was able to find his story through the paintings he has left behind and the organizations he was a part of. Salvatore J. Indiviglia was a resident of Franklin Square, New York for 68 years, a veteran of World War II, and a prolific artist whose work is displayed in numerous places, most notably, in the Franklin Square Public Library (Newsday 2018).
Just after the stroke of midnight on October 21, 2013, Amy Quinn and her partner Heather Jensen legally wed on the Asbury Park boardwalk in New Jersey (The Coaster 2013).
Trees became a symbol of hope for Oklahomans after the April 19, 1995 federal building bombing. An American Elm tree that grew in the parking lot of the Murrah building somehow survived the blast and then was nearly chopped down as investigators recovered evidence that had gotten caught in its branches (Linenthal, n.d.). This tree became known as the “Survivor Tree” because many Oklahomans saw it as a representation of the people’s ability to persist even in the face of such an atrocity. The survivor tree is memorialized at the Oklahoma City Bombing Memorial in recognition of the survivors of the blast. It is part of the logo for the memorial marathon that takes place every year (Fredrickson 2015) and its seeds are collected and distributed to communities throughout the United States so that the tree’s longevity is continued through its offspring (Slipke 2017).
The Archives Room within Ryan Library at Iona College stores the Archive and Special Collections. The contents are related to Irish life and literature. One of the collections housed here is the Brother Edmund Rice Collection (Iona College 2020).
Roy Cohn/Jack Smith is Ron Vawter’s depiction of two white, homosexual men who lead very different lives in the 1950s, but whom both died of AIDS related illnesses in the 80’s. Vawter (1994) uses his performance to focus on the “two powerful forces which shaped their lives: A Virus, and a society which sought to repress their sexuality” (0:10:36-0:10:45). This one-man show has been, thankfully, preserved with the help of filmmaker Jill Godmilow.