Remembering a World War II Veteran Through His Work

Authored by Emily Leo

A watercolor painting depicting a scene from life in Franklin Square during the 20th Century. A temporary carnival held in or near Franklin Square in the early 1950s. Indiviglia, Salvatore J. 1952. Carnival. Watercolor on paper. Franklin Square Public Library, New York. (The Franklin Square Historical Society owns the copyright to this painting and has loaned it to the Franklin Square Public Library to display. Photo taken with permission from the Franklin Square Public Library by Emily Leo on September 15th, 2020).

World War II veterans are an ever-shrinking population. While most living veterans are well into their 90s, many of their stories have not been told. Salvatore J. Indiviglia was 99 when he passed on May 28, 2018. According to an article from the Pew Research Center, “The [Department of Veteran’s Affairs] projections show that between Sept. 30, 2019 and Sept. 30, 2020, 245 WWII veterans are expected to be lost each day” (Schaeffer 2020). Thus, it is more crucial than ever to record as many of their stories and experiences as possible before they are lost for good. However, sometimes their stories live on through the work they have done throughout their lives. I was able to find his story through the paintings he has left behind and the organizations he was a part of. Salvatore J. Indiviglia was a resident of Franklin Square, New York for 68 years, a veteran of World War II, and a prolific artist whose work is displayed in numerous places, most notably, in the Franklin Square Public Library (Newsday 2018).

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The Historical Context of the Explanation of Section 10 of H.R. 14831

Authored by Darian Donachie

The Explanation of Section 10 of H.R. 14831 is part of the CMS.105, Arthur P. (“Skip”) Endres Papers, 1960-1980s collection at the Center for Migration Studies of New York (CMS-NY)

President Lyndon B. Johnson authorized the Immigration and Nationality Act (INA) on October 3, 1965, during the mid-Cold War period (Kennedy 2019). The INA changed America’s formerly biased policy to reunite immigrant families as well as encourage skilled workers from other countries to establish a new life in the United States (History 2019). As a result, immigration to the United States soared throughout the 1960s and 1970s as people sought to start a new life free from “poverty or the hardships of communist regimes in Cuba, Eastern Europe, and elsewhere” (History 2019, under “Immediate Impact”). The number of immigrants from Asian countries to the United States was considerably high on account that they were now allowed to migrate to the United States; moreover, many of these immigrants sought to relocate to the United States from “war-torn Southeast Asia” (History 2019, under “Immediate Impact”).

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YoungLives: Mentoring Teen Moms for Nearly 30 Years

Authored by Lauren Spain

Taken at YoungLives camp at Rockbridge, VA, Summer 2002. This photo shows teen moms, their children, and leaders enjoying a Fifties theme-night during their week away.

Young Life began as a ministry to teens in Texas in the 1930s (Young Life, n.d.). It went on to become a multinational organization in the effort to “go where kids are, win the right to be heard and share the Gospel of Jesus Christ with them” (Young Life, n.d.). Through fun club meetings and summer camps that in 2007 totaled 24 and reached over 100,000 teens a year (Lanker 2007, 15), Young Life strove to reach the many teens who were not part of a church.

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Teaching the ABCs of Race and Identity in Schools

Authored by Angelica Zamudio

Dr. Waller at her installation ceremony, where family, friends, former and current colleagues, plus the wider BC community, celebrated the beginning of her leadership at The Berkeley Carroll School as the first Black, female Head of School, and one that deeply understands progressive education.

C for Class. D for Difference. R for Race. An ABC of Equality is a children’s book addressing social justice concepts via the alphabet. Increasingly, grownups are exploring subjects related to equality with their children. Why? Because our world is changing. By 2060, no single racial majority will exist (Kotler, Haider, and Levine 2019, 6). Talking about race is thus imperative, and the earlier the better.

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Citizens Bank of Monroe: A Town of Monroe Staple for Over Fifty Years.

Authored By Mike Maggin

23 Lake Street in Monroe NY once housed the Citizens Bank of Monroe in Monroe NY. This was a staple of the town of Monroe for more than 70 years. Now it is an abandoned property but when this photo was taken in 1965 the Citizens Bank of Monroe was celebrating its 50th anniversary.

In 1915, the United States had 7,598 National Banks and 18,227 State Banks (FDIC.Gov 2014). One of the banks that opened that year was the Citizens Bank of Monroe located in Monroe NY. Though the building is no longer in use the bank is still talked about and remembered for its great customer service, it’s giant vault, and the ability to survive the run on banks in the 1930s. Many banks did not survive the banking panics that began in October of 1930 and lasted until Roosevelts national banking holiday in 1933 (Bordo and Landon-Lane 2010, 487). During this time over 8,000 commercial banks were part of the Federal Reserve System, but nearly 16,000 were not members, including the Citizens Bank of Monroe (Richardson 2013).

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Enid Bell’s Mission: Art for All

Authored by Carolyn Kosten

This photograph is taken of the original sculpture by Enid Bell (Palanchian) who gifted it to the Leonia Public Library in 1979. Enid Bell used hydrocal relief as the medium to sculpt two birds which look as if they are in flight (Bell Palanchian 1979).

The sculpture, Birds, resides at the top of the Leonia Public Library’s rear stairs where, on a busy day, hundreds of people pass by. The Leonia Public Library welcomes all people, no matter their background. Likewise, St. John’s University’s mission is to respect all people; this includes sharing our gifts with others (St. John’s University 2019). The creator of Birds, Enid Bell Palanchian, excluded none when displaying her work, implying that art is not only for the wealthy.

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The Dial Switchboard: A Piece of Small-Town History in Hazleton

Authored by Gina Coticchio

This is the rotary switchboard which is found in the Hazleton Historical Society Museum. The dial switchboard came to Hazleton in 1954. All the original wiring and phone book is still intact.

The first manual switchboard came about in 1878 and Hazleton, Pennsylvania got its first dial switchboard in 1954. At 11:59pm on April 24the switchboard was up and running in this small town (The Plain Speaker 1954). The Bell telephone company decided to invest in this small town by opening up a building on W. Green St. in Hazleton; with the new switchboard, converting to dial service was costing them $1.5 million (The Plain Speaker 1954). According to Tom Gabos, who is the president of the Hazleton Historical Society Museum, “this switchboard came from the corner of W. Green Street, right across from where our library now is” (Tom Gabos, pers. comm, September 2019). This new technology that was coming to Hazleton was welcomed with open arms. Once word got around of the new switchboard technology, Hazleton was booming with people who wanted to see how this technology would work. By 1940, the population of Hazleton was just over 38,000 (City of Hazleton Pennsylvania, n.d.). By 1953, about 14,000 people were using telephone technology (The Plain Speaker 1954). This is a little under half of what the population was in Hazleton back in 1940. 

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Mustapha Matura: A Pioneer of Post-Colonial Black Theatre Arts

Authored by Jasmine Pacheco

(a newspaper clipping of William Harris’ weekly column “OFF AND ON” where he examines the plays both off and on broadway. The image and first review are from the play “Rum and Coca-cola” by Mustapha Matura”.)

 This newspaper clipping of two men, one of which was holding a guitar quickly catches the eye due to the overtones of potential Blackface. However, after reading William Harris’ review, I discovered the work of Trinidadian playwright Mustapha Matura who used his experiences to craft powerful political commentaries. Matura first began writing and directing plays in London often tackling the ways Black people have been mistreated and abused throughout the Caribbean and the UK.

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West Michigan Interurban Time Table: Opening a New World

Authored by Lindsey C. Kult

“Interurban Time Table, effective April 12, 1925”, Wait Station, Dekker Huis, Zeeland, Michigan. This is a prime example of the numerous opportunities West Michiganders had to travel outside of their communities.

From the turn of the 20th Century until the mid-1920s, travel by rail was the best way for Midwesterners to travel beyond their hometowns (Ellison 2019; Geberer 2019, 51; Jenison Historical Association 2009, 2; van Reken 1998). The road conditions were so poor during this time that the Dutch and German settlers of small towns such as Jenison, Saugatuck, and Zeeland were essentially isolated from the larger cities in the region (van Reken 1998, 77). The implementation of the electric interurban not only provided the citizens of West Michigan access to the diversity found in larger cities, but also gave them the opportunity to share their values with others.

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Art Buchwald’s Sheep on the Runway: A Columnist’s Debut as a Playwright

Authored by Patricia Monaghan

This folder contains a unique selection of clippings compiled by the late William Harris, a drama and dance critic who assembled a sizable collection of theater memorabilia. The contents of the folder consist of reviews and articles, as well as a half-page advertisement, of Art Buchwald’s debut play, Sheep on the Runway. The play was a comedy directed by Gene Saks at the Helen Hayes Theatre on West 46th Street in Manhattan.

As “the most widely published American journalistic humorist of the second half of the 20th century,” Art Buchwald was a writer unlike any other (Biography Reference Bank 2007). Buchwald spent the majority of his career writing a satirical column that, at one time, was syndicated in 550 newspapers (Nilsen 1996, 80). His contributions to journalism earned him a Pulitzer Prize in 1982 (Folkenflik 2007).

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