Authored by Florence Nicosia
Maureen Anderman as Sarah in Edward Albee’s 1975 production of Seascape.
Pictured is Maureen Anderman in full makeup as an anthropomorphic lizard. The picture is a cultural artifact because of the type of film used and its depiction of Albee’s conception of what an anthropomorphic lizard looked like. The camera was a Kodak Pocket Instamatic that uses 110 film to produce 3” x 5” photos. This type of camera was considered state of the art in the seventies for amateur photography. This picture of Anderman was taken to assist the makeup artist in his/her effort to recreate Anderman’s makeup for each performance. Maureen Anderman is a Tony award nominated actress best known for her appearances on stage. Edward Albee was an American playwright whose plays were often considered commentaries on human relationships. Continue reading
Authored by Tori Burrell
A scene from Edward Albee’s Seascape. This derives from Collection 7, The Anderman Papers, located at Marymount Manhattan College.
Remembering lines and breathing life into sometimes fictional characters, is what is expected of those who have embraced the theater enough to be part of it. Having a career in theater is not always easy due to the questionable consistency of work, and the many instances in which one must step outside of their comfort zone and put their best foot forward. Although neither of these instances are ideal, with Broadway audiences capping off at fourteen million people per season in the United States, the show must go on. Continue reading
Authored by: Taylor Creel
Michael Weller’s Moonchildren. 1972. Maureen Anderman Collection, Marymount Manhattan College.
Actress Maureen Anderman collected newspaper articles about plays she participated in over the more than forty years of her career. In 2016, Anderman donated her professional papers to Marymount Manhattan College. Marymount Manhattan College features a strong theatre arts program and advertises thirty three percent of graduates as pursuing a career in acting making it an optimal selection for such resources. In order to compensate for physical space constraints, the college would like to create a bibliography of articles from the New York Times which mention her. Continue reading
Authored by Kate Kirwan
A still image taken during the 1972 Broadway production of Moonchildren. Courtesy of the Archives department of Marymount Manhattan College.
Between 1961 and 1975, the United States of America found itself engulfed in the Vietnam war, which had profound effects on the United States and created much disillusionment, particularly with America’s youth. Amidst the turmoil, in February 1972, Michael Weller’s play Moonchildren (formerly titled Cancer) debuted on Broadway for the first time. 
Authored by Rio Aucena
Archbishop Oscar Romero (giant puppet) from the Bread and Puppet Theater’s new production, The Nativity, Crucifixion and Resurrection of Archbishop Oscar Romero of El Salvador.
When historical pictures are unearthed, these items not only tell us about our past but connects us together as a community. Some of these go a step further and leave messages that inspire and instill worthwhile values such as love, respect and service.
While perusing Marymount Manhattan College’s William Harris Papers, an image of a giant puppet caught my attention. Equally attention-grabbing was the note attached behind the black and white photograph stating the snapshot was from the Bread and Puppet Theater’s new production entitled, “The Nativity, Crucifixion and Resurrection of Archbishop Oscar Romero of El Salvador.” With such a curious theater group name and an interesting production subject, my interest was piqued.
Authored by Erika Wilson
Clipping of the play to be performed at the Biltmore Theatre
The Effect of Gamma Rays On Man-In-The-Moon Marigolds was written by Paul Zindel. His novel received a Pulitzer Prize in 1964 and eventually became a popular Broadway performance. Some of the advertisements and review clippings from various Broadway performances of the play are archived in the William Harris Papers at Manhattan Marymount College. An impressive collection of 96 scripts, 4,450 folders of clippings and a collection of photographs gathered by Mr. Harris during the decades of the 1960s to the 1990s (Manhattan, 2016).
Authored by Yael Bronner
Members of Irondale in “Conversations in Exile.” Photo by Gerry Goodstein.
Imagine a theater company on a mission to educate as well as entertain. The Irondale Ensemble does just this, operating as a “performance think tank” and using the theater as a conduit for learning and growth. Irondale delivers performances on thought-provoking topics and works tirelessly to attract the public through its community engagement programs. The ensemble, located in Brooklyn, New York, was formed in 1983 and is composed of 12 members including actors, directors and designers. It is funded by prominent cultural organizations such as the National Endowment for the Arts and The New York State Council on the Arts.
Authored by Joann M White
Playbill featuring Marcel Marceau from the William Harris Papers
The William B. Harris Papers are a collection of theater ephemera collected over a period of 30 years. After graduating from college William Harris moved to New York to become a writer. He would eventually be the theater editor for SoHo Weekly News and managing editor of Theatre Crafts Magazine. In the process of doing this work he would accumulate his theater collection. Mr. Harris would die of a massive coronary at the age of 49 on July 27, 2000. His brother John would donate the collection to Marymount Manhattan College, which has a dance and theater program.
Mr. Harris’s papers are divided into eight separate genres; three are not in the archives at Marymount Manhattan College. The remaining five include unpublished scripts, photographs, posters, one videocassette and the largest part of the collection is in series #2. Series #2 contains 4,450 folders primarily newspaper clipping of reviews, playbills, photographs, postcards, advertisements for performances, as well as personal correspondence. This playbill from 1958 of Marcel Marceau is part of the collection. Continue reading
Authored by Magdaline J. Lawhorn
Photograph of the 33 ½ rpm vinyl record by Don Preston and Meredith Monk of Candy Bullets and Moon in 1967 in the original sleeve from the William Harris Papers.
Photograph of the 33 ½ rpm vinyl record by Don Preston and Meredith Monk of Candy Bullets and Moon in 1967 out of the sleeve from the William Harris Papers.
Marymount Manhattan College now houses the collection of the late William B. Harris, a New York theater critic (Brown, 2001, 3p.). After his death his collections were donated, including newspaper clippings, playbills, ticket stubs, photographs, personal correspondence and other assorted items he had gathered over the years. Amongst this extensive collection Harris saved a vinyl record. The record was a single press of Candy Bullets and Moon by Meredith Monk and Don Preston (Monk & Preston, 1967). As one of the earliest recordings of Monk it captures more than just her beginnings. It symbolizes her longevity as a leading woman in the entertainment industry. Continue reading
Authored By: Adina C. Brizel
1989 Theater Review of James Mundy’s ‘Sinners and Saints’
One of the many treasures in the archives of Marymount Manhattan College is the William B. Harris papers. Harris, a theater and dance critic for the SoHo Weekly News and Theatre Crafts magazine accumulated over 96 unpublished play scripts and 4,450 archived boxes of clippings connected to various authors and playwrights over a thirty year period. When Harris died in 2000, his family donated his entire collection to the performing arts library at Marymount. Continue reading