Authored By Margaret Andracchi
Taken 1996, Dr. Gurcharan Singh lectures to a class of Marymount Manhattan College students interested in International Studies. His turban signifies him as a Sikh.
Joining the faculty of Marymount Manhattan College in 1980, Dr. Gurcharan Singh quickly became an integral part of community and created a legacy that still lives on today. He began teaching as an Assistant Professor of Political Science and International Studies, backed with a MA and PhD from the City University of New York (Marymount Manhattan College 1980). Dr. Singh is credited for founding the International Studies program during his first years there, and is still honored today for this contribution with the Gurcharan Singh Memorial Fund. For 25 years Dr. Singh served the community, until his tragic death in 2007 in a motor vehicle accident.
Authored by Audrey Shults
Queering Fanfiction Event Poster from Marymount Manhattan College
This artifact is a copy of a poster advertising for an April of 2017 event discussing Queering Fanfiction, or taking media and putting an LGBT spin on it, usually so that two previously heterosexual characters enter a homosexual relationship. The event was hosted by Marymount Manhattan College’s (MMC) Gender and Sexuality Studies Club which, in addition to being a club, is a minor offered by the college. This aligns with MMC’s mission to help students “develop an awareness of social, political, cultural, and ethical issues in the belief that this awareness will lead to concern for, participation in, and improvement of society” (Marymount Manhattan College, n.d.). Because homosexuality has only recently begun to lose its stigma, there are few items from the LGBT community in MMC’s archives, save for the past decade or so. Continue reading
Authored by Katrina Ehrnman-Newton
Screenshot of the panel’s proceedings during this day of the conference.
This video is part of a three day proceedings from June 7-9, 2017 by several groups coming together to discuss their actions and emerging strategies to face the increasing hostility and illegal action being taken against immigrants and others under the emerging Trump presidency. The event was hosted by the Center for Migration Studies of New York (CMS), Cabrini Center for Immigrant Legal Assistance of Catholic Charities of Galveston-Houston, the Houston Immigration Legal Services Collaborative, and the South Texas College of Law Houston (Center for Migrations Studies 2017). Continue reading
Authored by Sarah West
Newspaper clipping from The Village Voice of an advertisement for Mee’s “The Trojan Women: A Love Story.”
This advertisement ran in the Village Voice on July 9th, 1996. Charles L. Mee authored the play, and it was directed by Tina Landau. The play was a twist on Euripides’ The Trojan Women, Virgil’s Aenid, Hector Berlioz’s Les Troyens and “modern day” pop-culture (Brantley 1996). It followed the story of Aeneas and his men who leave Troy and sail to Italy. They are lost at sea and end up in Carthage. Here he meets and falls in love with Dido. Where this play differs from its inspiration, Dido does not die in this play. Continue reading
Authored by Florence Nicosia
Maureen Anderman as Sarah in Edward Albee’s 1975 production of Seascape.
Pictured is Maureen Anderman in full makeup as an anthropomorphic lizard. The picture is a cultural artifact because of the type of film used and its depiction of Albee’s conception of what an anthropomorphic lizard looked like. The camera was a Kodak Pocket Instamatic that uses 110 film to produce 3” x 5” photos. This type of camera was considered state of the art in the seventies for amateur photography. This picture of Anderman was taken to assist the makeup artist in his/her effort to recreate Anderman’s makeup for each performance. Maureen Anderman is a Tony award nominated actress best known for her appearances on stage. Edward Albee was an American playwright whose plays were often considered commentaries on human relationships. Continue reading
Authored by Tori Burrell
A scene from Edward Albee’s Seascape. This derives from Collection 7, The Anderman Papers, located at Marymount Manhattan College.
Remembering lines and breathing life into sometimes fictional characters, is what is expected of those who have embraced the theater enough to be part of it. Having a career in theater is not always easy due to the questionable consistency of work, and the many instances in which one must step outside of their comfort zone and put their best foot forward. Although neither of these instances are ideal, with Broadway audiences capping off at fourteen million people per season in the United States, the show must go on. Continue reading
Authored by: Taylor Creel
Michael Weller’s Moonchildren. 1972. Maureen Anderman Collection, Marymount Manhattan College.
Actress Maureen Anderman collected newspaper articles about plays she participated in over the more than forty years of her career. In 2016, Anderman donated her professional papers to Marymount Manhattan College. Marymount Manhattan College features a strong theatre arts program and advertises thirty three percent of graduates as pursuing a career in acting making it an optimal selection for such resources. In order to compensate for physical space constraints, the college would like to create a bibliography of articles from the New York Times which mention her. Continue reading
Authored by Kate Kirwan
A still image taken during the 1972 Broadway production of Moonchildren. Courtesy of the Archives department of Marymount Manhattan College.
Between 1961 and 1975, the United States of America found itself engulfed in the Vietnam war, which had profound effects on the United States and created much disillusionment, particularly with America’s youth. Amidst the turmoil, in February 1972, Michael Weller’s play Moonchildren (formerly titled Cancer) debuted on Broadway for the first time. 
Authored by Rio Aucena
Archbishop Oscar Romero (giant puppet) from the Bread and Puppet Theater’s new production, The Nativity, Crucifixion and Resurrection of Archbishop Oscar Romero of El Salvador.
When historical pictures are unearthed, these items not only tell us about our past but connects us together as a community. Some of these go a step further and leave messages that inspire and instill worthwhile values such as love, respect and service.
While perusing Marymount Manhattan College’s William Harris Papers, an image of a giant puppet caught my attention. Equally attention-grabbing was the note attached behind the black and white photograph stating the snapshot was from the Bread and Puppet Theater’s new production entitled, “The Nativity, Crucifixion and Resurrection of Archbishop Oscar Romero of El Salvador.” With such a curious theater group name and an interesting production subject, my interest was piqued.